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Ziggy Stardust - Bauhaus - Gotham


1999
Label: Metropolis - MET 150,Metropolis - MET 150P • Format: CD Album, Promo • Country: US • Genre: Rock • Style: Goth Rock
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Gotham is a double-disc live album by English gothic rock band Bauhaus of a concert performed inreleased in by record label Metropolis. The album also includes one appended studio track, a cover of "Severance", originally recorded by Dead Can Dance on their album The Serpent's Egg. From Wikipedia, the free encyclopedia. This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed.

Ziggy Stardust - Bauhaus - Gotham 16 March Kick in the Eye Searching for Satori E. The Singles — — Crackle. Book Category. Categories : Bauhaus band albums live albums Albums recorded at the Hammerstein Ballroom. Hidden categories: Articles needing additional references from January All articles needing additional references Articles with short description Articles with hAudio Questi Ragazzini - J-Ax - Meglio Live. Namespaces Article Talk.

Views Read Edit View Ziggy Stardust - Bauhaus - Gotham. Languages Add links. By using this site, you agree to the Terms of Use and Privacy Policy. Live in the Studio Gotham


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Malle Babbe - Various - Amsterdam ArenA - De Opening


1996
Label: EMI - 7243 8536682 6 • Format: CD Compilation • Country: Netherlands • Genre: Pop •
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To login with Google, please enable Diaspora - Natacha Atlas - Diaspora. Sign up. To signup with Google, please enable popups. Sign up with Google or Facebook. To sign up you must be 13 or older. Terms of Use and Privacy Policy. Already have an account? Log in. Psalm 1 in the Windmill Psalter, made in England, probably London, late 13th century, ink, Malle Babbe - Various - Amsterdam ArenA - De Openingand gold on vellum, Gothic.

Mark,oil on canvas, Italian Renaissance. Leonardo da Vinci, The Virgin of the Rocks, c. Shop of Pieter van Aelst, Brussels, after cartoons by Raphael and assistants, Christ's Heaven Shall Burn - Endzeit to Peter, woveninstalled in the Sistine Chapel, wool and silk with silver-gilt wrapped threads, High Italian Renaissance.

Get started today! Tufts Art History Comprehensive Exams deck 1. Edit a Copy. Study these flashcards. Amanda S. Masons at Workdetail of a miniature from a Picture Bible made in Paris, s, Gothic building such as Chartres project required vast resources and labor here carpenters have built scaffolds, platforms, and a lifting machine master stonecutters measure and cut stones workers carry and Stay, Prince, & Hear Great Joves Command - Purcell*, Emmanuelle Haïm, Susan Graham blocks by hand or with lifting wheel a laborer carriers mortar up a ladder to men working on top of the wall.

Interior looking east, Chartres Cathedral, French, Gothic, c. Good Samaritan Window, south aisle of nave, Chartres Cathedral, c. Sainte-Chapelle, French, Gothic, Paris, Moralizations from the Apocalypse, from a Malle Babbe - Various - Amsterdam ArenA - De Opening Bible made in Paris,French, Ink, tempura and gold leaf on vellum, Gothic.

Albans, England,Ink and color on parchment, Gothic. Exterior, Church of St. Elizabeth of Hungary, Marburg, Germany, Gothic, Interior, Church of St.

Schematic Drawing of the Church of St. Francis, Assisi, Umbria, Italy,Gothic. Francis, church of St. Francis, Assisi, late 13th or early 14th c. Andrea Pisano, Life of St. Giotto di Bondone, Virgin and Child Enthroned, most likely painted for the high altar of the church of the Ognissanti All SaintsFlorence,Tempera and gold on wood panel.

Virgin and Child, c. Life of the Virgin, back of the Chichester-Constable Chasuble, from a set of vestments embroidered in opus anglicanum from southern England c. Interior, Exeter Cathedral, Devon England, 14th century. Master Theodoric, St. Melchior Broederlam, Annunciation, Visitation, Presentation in the Temple, and Flight into Egypt, exterior of the wings of the altarpiece of the Chartreuse de Champmol,Oil on wood panel. Unicorn is Found at the Fountain, from the Hunt of the Unicorn tapestry series, c.

Cope of the Order of the Golden Fleece, Flemish, mid 15th c. Jan and Hubert? Rogier van der Weyden, Deposition, from an altarpiece commissioned by the crossbowmen's guild, Louvain, Belgium, beforepossibly c. Rogier van der Weyden, St. Luke Drawing the Virgin and Child, c. Dieric Bouts, Virgin and Child, c. Hugo van der Goes, Portinari Altarpiece openc. Stephen, Virgin and Child, the Melun Diptych, c. Pierre Robin? Peter, Geneva, Switzerland,Oil on wood panel, Germanic.

Michael Pacher, St. Wolfgang Altarpiece, Church of St. Wolfgang, Austria,Carved, painted, and gilt wood; wings are oil on wood panel, Germanic. Martin Schongauer, The Temptations of St. Anthony, If Youve Got Trouble (Take 1) - The Beatles - Sessions. Michael Wolgemut, Wilheim Pleydenwurff, and workshop, The City of Nuremberg, from the Nuremberg Chronicle, published by Anton Koberger inWoodcut within a printed book, hand-colored after printing.

Filippo Brunelleschi, Ospedale degli Innocenti Foundling Jazzanova Feat. Ben Westbeech - I Can SeeFlorence, designed ; begun under Brunelleschi ; construction continued into s, Italian Renaissance. Exterior view of Orsanmichele showing Sculpture in Niches, Florence, begun Donatello, St. George, formerly in Orsanmichele, Florence,marble now in museumItalian Renaissance.

Donatello, David, c. Perugino, Christ Giving the Keys to St. Masaccio, Trinity with the Virgin, St. Giuliano da Maiano? Piero della Francesca, Baptism of Christ, c. Peter, c. Antonio del Pollaiuolo, Hercules and Antaeus, c. Antonio del Pollaiuolo, The Battle of the Nudes, c. Domenico Ghirlandaio, Scenes from the Life of St.

Sandro Botticelli, Birth of Venus, Malle Babbe - Various - Amsterdam ArenA - De Opening . Sandro Botticelli, Primavera, c. Giovanni Bellini, St.

Francis in Ecstasy, c. Leonardo da Vinci, Mona Lisa, c. Leonardo da Vinci, Vitruvian Man, c. Raphael, The Small Cowper Madonna, c.

Raphael, Agnelo Doni and Maddalena Strozzi, c. Michelangelo, David,marble, High Italian Renaissance. Raphael, Study for Christ's Charge to Peter, c. Giorgione, The Tempest, c. Titian, Venus of Urbino, c. Parmigianino, Madonna of the Long Neck,oil on wood panel, Mannerism. Bronzino, Allegory with Venus and Cupid, mid s, oil on panel, Mannerism.

Sofonisba Anguissola, Self-Portrait, c. Michelangelo, St. Peter's Basilica, Vatican, c. Tintoretto's Last Supper not visible hangs to the left of the altar.

JamesRothenburg ob der Tauber, Germany. Center, Last Supper, c. Limewood, glass. Workshop of Hans Krug? Anthony, Isenheim, Alsace, France. Center panels and predella: St. Anthony Enthroned between SS. Augustine and Jerome, Christ and the Apostles, c. Center panels: Crucifixion ; periled: Lamentation ; side panels: SS. Sebastian left and Anthony Abbot right. Date on ointment jar. Oil on wood panel. Lucas Cranach the Elder, Nymph of the Spring, c.

German demonstrates how far German artists' style and conception of the figure could differ from Malle Babbe - Various - Amsterdam ArenA - De Opening Renaissance idealism.


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Over Again - Blackie & The Oohoos - Blackie & The Oohoos


2010
Label: Dia Records - LMLMR5 • Format: CD Album • Country: Belgium • Genre: Rock • Style: Alternative Rock, Lo-Fi
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Blackie is the nickname given by Eric Clapton to his favorite Fender Stratocaster. He bought six s Stratocasters for two or three hundred US dollars each. After giving one each to George HarrisonPete Townshendand Steve Winwoodhe took the best parts of the remaining three built c. Clapton first played Blackie live 13 January at the Rainbow Concert. Clapton would play Blackie for many years on and off stage I Love You - Martin Taylor - Dont Fret! as in his guest appearance in The Last Waltz Components (Støyvind Remix) - F.A.C.E.

- Components finally, after the Behind The Sun tour init was retired due to issues with the neck. Inthe Eric Clapton Stratocaster was released, according to Clapton's specifications; he began playing his new signature model shortly after.

One of the last known occasions when Blackie was seen by the public was for a television commercial for the Japanese automobile firm Honda when, at the specific request of the company, Clapton used Blackie to record a new guitar solo on " Bad Love " in New York and was filmed for the commercial doing so.

Blackie was also brought out on stage for one number during the Royal Albert Hall shows in Clapton played "Blackie" almost Over Again - Blackie & The Oohoos - Blackie & The Oohoos on stage and in the studio from recording hits such as " Cocaine ", Over Again - Blackie & The Oohoos - Blackie & The Oohoos I Shot The Sheriff ", " Wonderful Tonight ", " Farther Up the Road ", " Lay Down Sally " and various live versions of " Layla " featured on several album covers and videos.

InBlackie was sold forUSD at a Christie's auction to support the Crossroads Centrea drug and alcohol addiction rehabilitation centre founded by Clapton. The auction's winner was the music equipment chain Guitar Centerand the bid set the record for the world's most expensive guitar. In NovemberFender announced a limited run of Blackie reissues by the Fender Custom Shopidentical to the original.

The original Blackie was exhaustively examined and measured for the reproduction. The reproduction Blackies were constructed by a team of master builders, with each of the various produced being assigned to one master builder.

From Wikipedia, the free encyclopedia. For other uses, see Blackie disambiguation. Where's Eric. Archived from the original on 11 January Retrieved 19 August Retrieved 10 August Eric Clapton. Discography Singles discography Videography. Eric Clapton's Rainbow Concert E. Edge of Darkness Homeboy Rush. Fender Stratocaster. Hidden categories: All articles with dead external links Articles with dead external links from July Articles with permanently dead external links EngvarB from January Use dmy dates from January Namespaces Article Talk.

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Unrequited - Various - Independent Music For Independent People (Vol 6)



Label: Independent Music For Independent People - HOKPR006 • Format: CD Compilation, Promo • Country: Sweden • Genre: Rock •
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Independent music often referred to as indie music or indie is music produced independently from commercial record labels or their subsidiaries, a process that may include an autonomous, do-it-yourself approach to recording and publishing.

The term indie is sometimes used to describe a genre such as indie rock and indie popand as a genre term, "indie" may include music that is not independently produced, and many independent music artists do not fall into a single, defined musical style or genre and create self-published music that can be categorized into diverse genres.

Independent labels have a long history of promoting developments in popular music, stretching back to the post-war period in the United Stateswith labels such as Sun RecordsKing Recordsand Stax. In the United Kingdom during the s and s, the major record companies had so much power that independent labels struggled to become established, until the launch of new concepts like Virgin Records.

In the United States, independent labels and distributors often banded together to form organizations to promote trade and parity within the industry. The Recording Academyfamous as the organization behind the Grammy Awardsbegan in the s as an Unrequited - Various - Independent Music For Independent People (Vol 6) of 25 independent record labels including HeraldEmberand Atlantic Records.

At its zenith, it had 1, independent labels on its member rosters. The latter is most notable for a lawsuit involving co-op money it filed on behalf of its member Digital Distributors in conjunction with Warehouse Record Stores. The proceeds were distributed amongst all plaintiffs. During the punk rock era, the number of independent labels grew. In the late s, Seattle-based Sub Pop Records was at the center of the grunge scene.

Many acts choose to go from an independent label to a major label if given the opportunity, as major labels have considerably more power and financial means to promote and distribute product, sometimes increasing the chances of greater success. Similarly, others may become independent label acts after having already experienced recording on a major label. He says, "As an independent, business is a prime concern and can take over if not controlled.

You just have to be well-rounded in both areas. You have to understand publishing. You have to understand how you make money, what's in demand, and what helps you make the most out of your talent.

Joseph suggests newer artists read and study both courses and pick one that best suits their own needs and wants. A successful independent label with a strong musical reputation can be very appealing to a major label. Major labels look at independent labels to stay current with Unrequited - Various - Independent Music For Independent People (Vol 6) ever-changing music scene.

If an act moves to a major label from an independent, they are awarded greater opportunity for success, but it does not guarantee success. About one in ten albums released by major labels make a profit for the label. Independent labels tend to be more open creatively, however, an independent label that is creatively productive is not necessarily financially lucrative. Independent labels are often operations of one, two, or only half a dozen people, with almost no outside assistance and run out of tiny offices.

It can also be more difficult for the indie label to get its artists' music played on radio stations around the country when compared to the pull of a major label. A testament to this fact could be that sincethere have only been twelve independent label albums that have reached the number one spot Unrequited - Various - Independent Music For Independent People (Vol 6) the US Billboard Album Chart. However, dozens of independent albums have reached the top 40 of the Billboard Many current artists use their own resources to produce, record, market and release music through SpotifySoundcloudand other streaming platforms with social media in a direct, do-it-yourself manner allowing creative distribution.

Independent label that signs and distributes its own acts. These independent labels find and sign their own acts; then the label manufactures, distributes, and promotes its own product. Independent label distributed by a major label. These independent labels are similar to the type mentioned above in that they find and sign their own acts, but they have a separate contract with a major label to handle manufacturing, distribution, or promotion.

The major label has no control over the independent label, simply an agreement to distribute its product. Either the independent or the major can terminate the pact at the end of the contractual agreement if they so choose. The independent provides for its own financial stability, and has no outside monetary assistance from a major label.

This is because the act's contract is actually with the independent label, which may offer more creative control, yet the act is having its album distributed by a major label, which also has an interest in seeing the album become successful. Independent label owned by a major label. Some major labels have started independent labels or purchased an existing independent label outright, and have these labels use, or continue to use, independent distribution for their product.

The reason for this is because independents usually are on the cutting edge of new sounds and potential hit artists, and signs acts and releases albums for less money than would have otherwise been spent if the acts were signed directly to the major label.

One benefit of this scenario is that if the act eventually proves successful enough on this type of independentand Through Her Eyes (Alternate Album Mix) - Dream Theater - Diamond Collection seeking a major label deal, it may see its subsequent albums released directly on the major-label owner of its independent label.

The moniker "independent" is sometimes associated with these major-label owned independent labels because they use independent distributors to distribute their albums instead of their affiliated major-label distribution system.

However, these labels are not true independents, the differences being: a these independent labels can seek the financial backing of their major-label owner should they ever fall on hard financial times. None of these are circumstances that pertain to true independent labels like those in the first two examples.

A record label needs more than independent distribution to qualify as an independent label, otherwise it is an Unrequited - Various - Independent Music For Independent People (Vol 6) of a major label. It can be very difficult for independent bands to sign to a record label that may not be familiar with their specific style. It can take years of dedicated effort, self-promotion, and rejections before landing a contract with either an independent or major record label.

Bands that are ready to go this route need to be sure they are prepared both in terms of the music they offer as well as their realistic expectations for success. These expenses arise from the cost of such things as album packaging and artwork, tour support, and video production. An additional part of the recoupable expenses are the artist's advance. An advance is like a loan.

It allows the artist to have money to live and record with until their record is released. However, before they can gain any royalties, the advance must be paid back in full to the record label.

Since only the most successful artists recoup production and marketing costs, an unsuccessful artist's debt Oasis - Live At City Of Manchester Stadium (DVD) carry over to their next album, meaning that they see little to no royalties.

Major label advances are generally much larger than independent labels can offer. Some smaller independent labels offer no advance at all; just recording cost, album packaging, and artwork, which is also recoupable. If an artist gets no advance at all, they owe their record company less money, thus allowing them to start receiving royalty checks earlier; that is, if sales warrant any royalty checks at all. However, since the record label typically recoups so many different costs, it is actually to the Unrequited - Various - Independent Music For Independent People (Vol 6) advantage to get the largest advance possible because they may not see any royalties checks for quite some time; again, that is, if sales warrant any O Come All Ye Faithful - Cedarmont Kids - Christmas Carols checks at all.

Another advantage of getting an advance; the advance money the artist owes the label is only recoupable through the artist's royalties, not through a return of the advance itself.

In a record contract, options are agreed upon between the record company and the act. Options allow the label to request additional albums from the act if they so choose. Major labels tend to ask for more options in a contract than independents.

For instance, a contract may state "one album, with an option for four". This would mean a total of five possible albums. This means that if the first album was recorded and released by the label and was profitable, the Boddika & Joy Orbison - Swims is going to pick up its option for a second album.

The act, therefore, must deliver a second album to the label. If that album is successful, the label will pick up its option for a third album; and so on and so on, depending on how many options are stated in the contract. Picking up the option for another album lies strictly with the label, not the act. The label can pick up as many options as it wants, up to the amount stated in the contract, it does not have to pick up all the options. That means, although a contract may state it has an option for four albums, the label does not have to pick up all four of these options.

The reason for this is, say the act's first album is successful and the label picks up an option for a second album, but Unrequited - Various - Independent Music For Independent People (Vol 6) second album fails miserably. The label could decide it is not about to spend more money on another album, and not pick up any more options and drop the act from its roster. Another ploy the label could utilize is to pick up an option for another album, even after a failed album had been released.

If the label doesn't like the finished product of the new album the act has recorded, the label may not release that album, and then pick up its option for yet another album! The label then may not release that album as well!

But the money spent for recording these unreleased albums may still be recoupable from the albums that have already been released. Because the act is under contract with the label, it cannot record music for another record label without permission. This scenario could potentially tie an act down to a label for years, even though the label has no intentions of releasing any more product from this act, in a career that guarantees no success, and if so, typically only sees a few prime years of prosperity.

Some acts consider this unfair because the label has the right to not distribute an artist's work, yet legally keep them bound and prevent them from recording elsewhere.

In effect, the label could continue to demand more albums through the options clause until it deems one commercially or artistically acceptable. Record labels also effectively own the product recorded released or not by an act during the duration of their contract with the label. Options are only beneficial to the record label.

The fewer options allowed in the contract, the better for the act. This time it will most likely be with a much better royalty rate and more creative freedom than the previous contract stated.

Or, the act can decide to move to another label altogether, one that is offering a better royalty rate or creative freedom. However, when the label holds a clause for lots of options for additional albums, it has the advantage. Besides the scenario in the above paragraph of the label requesting albums it may not release and preventing the act from recording elsewhere, the exact opposite could happen instead.

The act could release a blockbuster album on their very first release. The label will surely pick up its options for future albums and distribute them, but the act will continue to see Pressure Chant (Accapella) - Various - Defected Accapellas Volume 3 / Classics its royalty checks and recoupable expenses calculated under the same contract it signed many years ago.

When its contract is finally up with all those optionsthe act may have declined considerably in music popularity and may not have the same bargaining position that it had so many years ago when it released that blockbuster album.

Had there been fewer options on the initial contract, the act could have negotiated a new and better contract while in its prime. Independent label contracts typically resemble contracts offered by major labels because they have similar legal liabilities to define before representing an artist.

There are differences, however, usually with regards to less advances, lower studio costs, lower royalties, but fewer Unrequited - Various - Independent Music For Independent People (Vol 6) options. Due to financial constraints, independents typically spend much less on marketing and promotion than major labels. But with lower royalties rates typically paid to artists and lower production and promotion costs, independent labels generally can turn a profit off lower volumes of sales than a major label can.

In this type of contract, the net gain after all expenses have been taken out are divided between the label and artist by a negotiated percentage. However, deals in this form can take longer for an artist to gain any profits, if at all, since all expenses — such as recording, manufacturing, publicity and marketing, music videos, etc.

Only if an independent artist becomes vastly popular are deals of this type more advantageous. Independent labels rely heavily on personal networking, or "word of mouth", to expose their acts. This of course contributes to the overall lower production cost, and may help the artist to receive royalties sooner, if warranted.


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Deccas Drinking Dilemma - The Toy Dolls* - The Album After The Last One


2012
Label: Randale Records - Ran118 • Format: Vinyl LP, Album • Country: Germany • Genre: Rock • Style: Punk, Oi
Download Deccas Drinking Dilemma - The Toy Dolls* - The Album After The Last One

So, first up, lots of people are asking about my mental health, I will not bore you with it too much…. Earlier in the year I developed a muscle tightening hell in my throat, called Globus, this was induced by stress, then the Globus caused panic attacks, which made the muscle tighten even more, which caused more panic attacks…blah blah… anyways, after regular psychotherapy, Yoga, essential oils in the bath, relaxation exercises etc etc, I am finally starting to feel better, got a long way to go yet, but there is a light at the end of the tunnel finally!

And so to the new acoustic album Some of the songs are played in different styles, jazz etc They are not all just unplugged versions of the originals, though some are! I hope you like them in this naked format! We all met up in London, the crew and Tommy and Duncan and Me, and loaded all the stuff from our small van from Germany to our splitter bus. Then off we headed up to Manchester, in the rain of course! We stayed that night on the motorway just south of the city, it had been a long day, especially for the crew driving from Germany and Belgium, so we all slept soundly!

By 6pm the sound check was done and our old mate TV Smith had arrived, so we we ran through Gary Gilmores Eyes for the first Deccas Drinking Dilemma - The Toy Dolls* - The Album After The Last One altogether, then TV did his acoustic soundcheck. Wow, what a sweat box! We had a wicked time though, good stage, not too big for the first show! A packed house and great crowd, and although it was a killer with the heat we enjoyed every minute. The Lambrusco Bottle refused to explode, or should I say I was so hot me hands just couldn't operate it, I was drenched!

But apart from that, a great night, and everything went smoothly! Cheers Manchester! We drove to a hotel on the motorway straight after the Manchester gig, near Oldham, so we could get an early start for Sunderland. Even more nerves today, this is where it all began! Many friends and family where there, as well as loadsa old faces! The stage was a death trap!

The middle section built up outta boxes and stones, and the surface was an ice rink! But, after a nice soundcheck, we retired to the dressing room, where a number of guests where appearing, including our management team from London, OMG the nerves! As the crowd got bigger, so did Deccas Drinking Dilemma - The Toy Dolls* - The Album After The Last One heat!

Our backdrop even fell off during TV Smiths set because of the condensation. By the time we went on to another packed room, everywhere on stage was soaked with condensation, another crazy hot one!

Condensation also made me amp act a bit peculiar also, apart from the deadly stage and intense heat, and mad nerves, and the backdrop dying, we had a lovely time, absolutely dripping again after the gig, but generally everything went smoothly!

So great to see You Lot again, of course tonight was a special night for me. Thank you Sunderland! After a good night's sleep in a hotel near the Stadium Of Light in Sunderland, we where on our way to Glasgow, our stage clothes still wet from the night before!

Nervous again, but a lot more relaxed than in Sunderland, which resulted in us playing better than we had done the two previous nights. Unfortunately it's a different Academy to the last one we played Virgo - Malta - Best Collectiona bit cold and Canzone Pulita - Nino Manfredi - Canzone Pulita, but you lot soon warmed the place up!

A nice local crew again too. Finally, arriving at the sea front hotel at 6pm, a quick wash of the stage clothes in the sink, and hung up to dry. For me, personally, I think we played better here and Glasgow, than anywhere else on the UK tour, a great night, the place was packed, even though The Wolf - Dave Clarke - Devils Advocate was a hurricane outside!

We arrived at The Fleece around 3pm, though a nice venue for the audience, the stage is a nightmare, no drum riser, pillars everywhere, and kinda hexagonal shape, and TINY! A small entrance for the Electric Ballroom in Camden leads to a nice size, easy for everyone to see, room! Great venue, again a great local crew, very helpful. Lovely to see ya all in a packed house again, and thank you so much to everyone travelling from all parts of the world for this one!

We had a few problems, someone spilt a pint into the mixer, which sent a few things haywire, as well as stopping our outro music playing! A bit nervous tonight too, what with members of Argy Bargy and Rancid etc out there! I knew the Rock City Basement was gonna be small, but not quite this small! Nice local crew again, though our sound man had to practically rebuild the sound system after a number of faults were found!

Nov 10th, saw us driving back to London, where equipment was loaded back to our small van, 3 of the crew then headed off for the Deccas Drinking Dilemma - The Toy Dolls* - The Album After The Last One from Dover, back to Germany and Belgium. I can tell ya that as well as the Spanish tour we had a wicked time at the festivals, great to meet you lot after the shows too.

Hey, great to meet the guys from the Slackers, and an honour to meet Lars from Rancid too. All really lovely guys. Yeah, yeah, I can hear say, what about When are you gonna play in my country blah blah blah! So, anyway, I can tell you that we always wanna play as many countries as possible! Portugal, for example, is one place we really wanna get back to, we had an absolute wicked time there last time, but the promoters we used have disappeared off the face of the earth!

We have had offers from various people wanting to put shows on, but the promoters need to be professional. We could never take the chance of a show being cancelled at the last minute, totally unfair for all involved. Another country One Of The Brightest Stars - James Blunt - All The Lost Souls Tour 2008: Live At Plymouth Pavilions have been desperately trying to return to is Poland!

And finally we have been offered the chance to play Gdynia! Of course we jumped at the chance, its been Intro - Various - Rave On 96 years since we were there! And we have not forgot about Scandinavia, Austria, Czezh Republic etc etc either It's very expensive to get out there, with the long haul international flights, hotels, equipment and van hire etc, and Jingle Bells - Various - Its Non Stop Reggae Christmas Time have to take our whole crew to do things professionally.

The high cost of working visas doesn't help, and we would never take the chance of coming without visas! I know bands do this, but to turn up and be refused entry would be catastrophic, not just for us and everyone involved, but most of all you lot!

Though just be able to break even and see you lot would be fine, providing we can cover the costs and be able to eat! Anyways, our management are working on it as I am writing this, if they can make it work, they will! I really hope to have more news very soon, it seems like a life time since we saw you lot, Deccas Drinking Dilemma - The Toy Dolls* - The Album After The Last One so much for your patience and loyalty.

Friends and family turn up too, aargh! Makes me sooo nervous to think of it! The last tour we done in the UK Deccas Drinking Dilemma - The Toy Dolls* - The Album After The Last One and we had a great time indeed. The gigs being looked at will be smallish sized venues, cheers loads to you lot on Facebook for the ideas!

We have taken note! We wanna keep the tour in clubs, rather than festivals. All a bit vague I know, but if this does happen then the USA would probably be the first half of with the UK in the 2nd half!

If for whatever reason it doesn't happen, then hopefully it will still happen at a later date. I can say that at the moment we are hopeful! The Wave - Harry Belafonte - Stationen, hello you lot!

Decent intro, good sound, too hectic though, overall, not bad!. I do like the way it links to CCChristmas very much! One of the best links on a Toy Dolls album. I like the sound on this one, and all the twists and turns and key changes, in my humble opinion The best song on the album by far, a really good one! And nice lyrics. Why the hell did I keep that terrible guitar intro??

It should have went straight into the song, it's a nice song I reckon, good drum beat nice bits, nice solo, a decent song, apart from the guitar start, again nice lyrics too.

I like some bits of this song, I really thought I had sciatica when I wrote it, but to be honest it drives me crazy listening to it after a while! About a minute. For me, sadly, one of the weakest Haanian - Kully & Co.

- A Cut Above on the album. Really difficult to judge a song when its not my own! What more can I say! With honest Tommy Goober lyrics! Some nice guitar bits too. I am really surprised, though its early days, why not so many people have mentioned this song yet!

I am proud of it, I like the solo too, great verses and good lyrically too! Yeah, well above average indeed. A Deccas Drinking Dilemma - The Toy Dolls* - The Album After The Last One by The Amazing Mr. Duncan, a canny song this and sung very nicely, I like it, and it makes a pleasant change from listening to the squeaky lead singer! Nice one, and of course I am a sucker for key changes!

Again good lyrics, a decent song but spoilt by the hectic speed its played at, had it been a few BPM beats per minute less, it would have been a lot more pleasant. This was based on 2 Doreens by the way!

An odd one this, the lyrics mean so much to me, and I spent a lot of time trying to create a guitar solo with heart felt emotions in, I think its worked, in the solo anyway, the song itself is average I reckon.

I can safely say this is the worst song on the album, it's a drag from start to finish, nice guitar solo though, but an uninspired song, bah. Nice classical harp! Now we are talking! I am very happy with this one, good lyrics, good verse, bridge, chorus, harmonies etc, yeah, I am proud, in the top 3 for sure.


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Lesley Gore - My Town, My Guy & Me


1965
Label: Mercury - 20071 MCL • Format: Vinyl LP, Album • Country: UK • Genre: Rock, Pop • Style: Vocal
Download Lesley Gore - My Town, My Guy & Me

Lesley Gore 's fifth album not counting her first greatest-hits collection was her last fairly strong non-greatest-hits LP, and the last to feature a reasonable standard of material.

Only the title cut was a significant hit, and not a huge one at that stalling outside of the Top As usual, there were a My Guy & Me of goodies for fans inclined to dig beyond the 45s of this very singles-oriented artist. Everything else is outclassed by the deviously playful "You Didn't Look Around," which has catchy hooks and an assertively melodramatic vocal on par with Gore 's best hits.

Her vocal performance on that song and some others, too, indicated that she really was making some strides as a singer into more mature and full phrasing, though she faltered as always when she went into straight adult pop on "The Things We Did Last Summer". AllMusic relies heavily on JavaScript. Please enable JavaScript in your browser to use the site fully.

Blues Classical Country. Electronic Folk International. Jazz Latin New Age. Aggressive Bittersweet Druggy. Energetic Happy Hypnotic. Romantic Sad Sentimental. Sexy Trippy All Moods. Drinking Hanging Out In Love. Introspection Late Night Partying. Rainy Day Relaxation Road Trip. Romantic Evening Sex All Themes. Features Interviews Lists. What Is Your Life? - Mose Vinson - Piano Man Videos All Posts.

New Love Picnic. Track Listing. My Town, My Guy My Guy & Me Me. Lesley Gore. What's a Girl Supposed to Do. You Didn't Look Around.

I Don't Care. No Matter What You Do. Dick St. A Girl in Love. My Guy & Me Another Fool. Let Me Dream. Before and After. Van McCoy. A Girl in Love Lesley Gore. Before and After Van McCoy.


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Im Fantastic Plastic - The Escalator Haters* - The Escalator Haters


2011

Download Im Fantastic Plastic - The Escalator Haters* - The Escalator Haters

An escalator is a moving staircase which carries people between floors of a building. It consists of a motor -driven chain of individually linked steps on a track which cycle on a pair of tracks which keep them horizontal. Escalators are used around the world in places where lifts would be impractical. Escalators have the capacity to move large numbers of people. They can be placed in the same physical space as a staircase. They have no waiting interval except during very heavy traffic.

They can be used to guide people toward main exits or special exhibits. They may be weatherproofed for outdoor use. A nonfunctional escalator can function as a normal staircase, whereas many other methods of transport become useless when they break down or lose power. Escalators typically rise at an angle of about 30 degrees from the ground. Most modern escalators have single-piece aluminum or stainless steel steps that move on a system of tracks in a continuous loop.

Escalators are typically configured in one of three ways: parallel up and down escalators adjacent or nearby, often seen in metro stations and multilevel movie theatersmultiple parallel banks of more than one escalator going in the same direction parallel to banks going the other directionJennifer Juniper - Donovan - An intimate performance (DVD) crisscross escalators going in one direction "stacked" with escalators going the opposite direction oriented adjacent but perpendicular, frequently used in department stores or shopping centers.

Most countries require escalators to have moving handrails Winter Dream - John Porter - One Love keep pace with the movement of the steps as a safety measure.

This helps riders steady themselves, especially when stepping onto the moving stairs. Occasionally a handrail moves at a slightly different speed from the steps, causing it to "creep" slowly forward or backward relative to the steps; it is only slippage and normal Im Fantastic Plastic - The Escalator Haters* - The Escalator Haters that causes such losses of synchronicity, and is not by design.

The direction of escalator movement up or down can be permanently set, controlled manually depending on the predominant Im Fantastic Plastic - The Escalator Haters* - The Escalator Haters of the crowd, or controlled automatically.

In some setups, the direction is controlled by whoever arrives first. Duminica De Ieri - Temistocle Popa - Frumoasă Tinerețe factors include physical requirements, location, traffic patterns, safety considerations and aesthetics.

Physical factors such as the distance to be spanned determine the length and pitch of the escalator, while factors such as the infrastructure's ability to provide Feel The Spirit (T.S. Deep Mix) - Giant City - Feel The Spirit and power must be considered. Temporal traffic patterns must be anticipated. Some escalators need only to move people from one floor to another, but others may have specific requirements, such as funneling visitors towards exits or exhibits.

The visibility and accessibility of the escalator to traffic is relevant. Designers need to account for the projected traffic volumes. For example, a single-width escalator traveling at about 0.

The carrying capacity of an escalator system is typically matched to the expected peak traffic demand. For example, escalators at transit stations must be designed to cater Im Fantastic Plastic - The Escalator Haters* - The Escalator Haters the peak traffic flow discharged from a train, without excessive bunching at the escalator entrance.

In this regard, escalators help manage the flow of people. For example, at many airports an unpaired escalator delivers passengers to an exit, with no means for anyone entering at the exit to access the concourse.

Escalators are often built next to or around staircases that allow alternative travel between the same two floors. Elevators are necessary for disability access to floors serviced by escalators. Landing platforms are the two platforms at the two ends that house the curved sections of the tracks, as well as the gears and motors that drive the stairs.

The top platform usually contains the motor assembly and the main drive gear, while the bottom holds the return gear. These sections also anchor the ends Im Fantastic Plastic - The Escalator Haters* - The Escalator Haters the Es War Einmal Ein Musikus - Palast Orchester Mit Seinem Sänger Max Raabe - Das Beste Vom Palast Orch truss.

Each platform also has a floor and a comb plate. The floor plate provides a place for the passengers to stand before they step onto the moving stairs, flush with the rest of the floor and usually hinged to allow easy maintenance access, while the comb plate lies between the stationary floor plate and the moving step, so named for the cleats on its edge which mesh with the matching cleats on each step and resemble a comb. The interlocking cleats help to minimize the gap between the stairs and landing, preventing objects or persons from becoming caught in it.

The truss is the hollow metal structure that bridges the lower and upper landings, composed of two side sections joined together with cross braces across the bottom and just below the top.

The ends of the truss are attached to the top and bottom landing platforms via steel or concrete supports. It carries all the straight track sections connecting the upper and lower sections. Made of either metal, sandwich panelor glass, the balustrade supports the handrails of the escalator. It also provides additional protection for the handrail and passengers. Some escalators have direction arrows on the ends of the balustrade.

Moving walkways often use balustrades in the same way. The track system is built into the truss to guide the step chain, which continuously pulls the steps from the bottom platform and back to the top in an endless loop. One track guides the front wheels of the steps called the step-wheel track and another guides the back wheels of the steps called the trailer-wheel track.

The relative positions of these tracks cause the steps to form a staircase as they move out from under the comb plate. Along the straight section of the truss the tracks are at their maximum distance apart. This configuration forces the back of one step to be at a degree angle relative to the step behind it. This right angle forces the steps into a shape resembling a staircase. At the top and bottom of the escalator, the two tracks converge so that the front and back wheels of the steps are almost in a straight Zim Zam Zim - The Crazy World Of Arthur Brown - Zim Zam Zim. This causes the stairs to lay in a flat sheetlike arrangement, one after another, so they can easily travel around the bend in the curved section of track.

The tracks carry the steps down along the underside of the truss until they reach the bottom landing, where they Lambada Suave (Radio Edit) - Chantal - Lambada Suave through another curved section of track before exiting the bottom landing.

At this point, the tracks separate and the steps once again assume a staircase configuration. This cycle is repeated continually as the steps are pulled from bottom to top and back to the bottom again.

The steps themselves are solid, one piece, die-cast aluminum or steel. Yellow demarcation lines are sometimes added to indicate their edges. In most escalator models manufactured afterboth the riser and the tread of each step is cleated given a ribbed appearance with comb-like protrusions that mesh with the comb plates on the top and bottom platforms and the succeeding steps in the chain. Seeberger escalators featured flat treads and smooth risers; other escalator models have cleated treads and smooth risers.

The steps are linked by a continuous metal chain that forms a closed loop. The front and back edges of the steps each have two wheels, the rear of which are set further apart and fit into the trailer-wheel track while the front set have narrower axles and fit the step-wheel track.

The handrail provides a handhold for passengers while they are riding the escalator. The handrail is pulled along its own track by a chain that is connected to the main drive gear by a series of pulleys, keeping it at the same speed as the steps. Four distinct sections make up the rail: at its center is a "slider", also known as a "glider ply", which is a layer of a cotton or synthetic textile that allows the rail to move smoothly along its track.

The " tension member " lies on the slider and consists of either steel cable or flat steel tape, providing the handrail with tensile strength and flexibility. The inner components, on top of the tension member, are made of chemically treated rubber designed to prevent the layers from separating.

Finally, the outer layer—the part that passengers see—is the cover, typically a blend of synthetic polymers and rubber.

Covers are designed to resist degradation from environmental conditions, mechanical wear and tear and vandalism. In a factory, handrails are constructed by feeding rubber through an extrusion machine to produce layers of the required size Arrival/Departure - Omid - Monolith (Vinyl, Album) type in order to match specific orders.

The component layers of fabric, rubber and steel are shaped by workers before being fed into the presses which fuse them together. In the mid-twentieth century, some handrail designs consisted of a rubber bellows, with rings of smooth metal cladding called "bracelets" between each coil.

This gave the handrail a rigid yet flexible feel. Additionally, each bellows section was no more than a few feet long, so if part of the handrail was damaged, only the bad segment needed to be replaced. These forms of handrail have largely been replaced with fabric-and-rubber railings. Escalator truss connects to the landing platform lower left. Also Im Fantastic Plastic - The Escalator Haters* - The Escalator Haters exposed drive gears center for steps and handrail drive left.

An escalator equipped with a "bellows" handrail. The bracelets are colored grey, with occasional strings of black ones to appear as moving spacers. Safety is a major concern in escalator design, as escalators are powerful machines that can become entangled with clothing and other items.

Such entanglements can injure or kill riders. In India many women wear sarisincreasing the likelihood of entangling the clothing's loose end pallu.

Children wearing footwear such as Crocs and flip-flops are especially at risk of being caught in escalator mechanisms. Escalators sometimes include fire protection systems including automatic fire detection and suppression systems within the dust collection and engineer pit. To limit the danger caused by overheating, spaces that contain motors and gears typically include additional ventilation.

Small, targeted clean agent automatic extinguishing systems are sometimes installed in these areas. Fire protection of an escalator floor opening is also sometimes provided by adding automatic sprinklers or fireproof shutters to the opening, or by installing the escalator in an enclosed fire-protected space. The King's Cross fire of illustrated the demanding nature of escalator upkeep and the devices' propensity to collect "fluff" and other small debris when not properly maintained.

Following the report, older wooden escalators were removed from service in the London Underground. Additionally, Im Fantastic Plastic - The Escalator Haters* - The Escalator Haters of the London Underground that were actually below ground were made non-smoking ; ultimately, the whole system became a smoke-free zone.

In October on a Thursday morning, a 4-year-old Im Fantastic Plastic - The Escalator Haters* - The Escalator Haters suffocated and died in a Chinese train station in the city of ChongqingChina. The boy was playing with an escalator handrail when he fell and got stuck underneath it with his chest wedged between the bottom of the handrail and the ground. In the s, at least one suit was filed against a department store, alleging that its escalators posed an attractive nuisanceresponsible for a child's injury.

Despite their considerable scope, the two Congressional Acts regarding accessibility the Rehabilitation Act of and the Americans with Disabilities Act of ADA did not directly affect escalators or their public installations. Since Section of the Rehabilitation Act included public transportation systems, for a few years, the United States Department of Transportation considered designs to retrofit existing escalators for wheelchair access.

Nonetheless, Foster-Miller Associates ' plan, Escalator Modification for the Handicapped was ultimately ignored in favor of increased elevator installations in subway systems. Likewise, the ADA provided more accessibility options, but expressly excluded escalators as "accessible means of egress", advocating neither their removal nor their retention in public structures. Nathan AmesOn Sest Aimé À Cause - Céline Dion - Delles patent attorney from Saugus, Massachusettsis credited with patenting the first "escalator" inIm Fantastic Plastic - The Escalator Haters* - The Escalator Haters the fact that no working model of his design All Men Shall Be Brothers Of Ludwig - Staff Carpenborg And The Electric Corona - Fantastic Party (Di ever built.

His invention, the "revolving stairs", is largely speculative and the patent specifications indicate that he had no preference for materials or potential use he noted that steps could be upholstered or made of wood, and suggested that the units might benefit the infirm within a household use.

The suggested motive power was either manual or hydraulic. InLeamon Souder successfully patented the "stairway", an analogous device that featured a "series of steps and links jointed to each other".


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Ex-Driver Feat. Julie Harrington - Aurora


2015
Label: Extrema Global Music - EGMSIN043 • Format: 2x, File MP3, Single 320 kbps • Country: Italy • Genre: Electronic • Style: Trance
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Skip to main content. You have exceeded the maximum number of MP3 items in your MP3 cart. Please click here to manage your MP3 cart content. Aurora Dub Mix. From the Album Aurora. July 13, Listen Now. Add to MP3 Cart.

Add gift card or promotion code. Add to Wish List. Your Amazon Music account is currently associated with a different marketplace. Sample this song. Title by Artist. Additional taxes may Heart And Soul - Dennis Brown - My Heart Is An Open Book. By placing your order, you agree to our Terms of Use. No customer reviews. There's a problem loading this menu right now.

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AmazonGlobal Ship Orders Internationally. Amazon Rapids Fun stories for kids on the go. ComiXology Thousands of Digital Ex-Driver Feat. Julie Harrington - Aurora. DPReview Digital Photography. East Dane Designer Men's Fashion. Shopbop Designer Fashion Brands. Deals and Shenanigans. Ring Smart Home Security Systems. PillPack Pharmacy Simplified. Amazon Renewed Like-new products you can trust. Amazon Second Chance Pass it on, trade it in, give it a second Ex-Driver Feat.

Julie Harrington - Aurora .


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The 3rd Plateau - Ibrahim Alfa - Trace Elements (Vinyl, Album)


2000

Download The 3rd Plateau - Ibrahim Alfa - Trace Elements (Vinyl, Album)

AllMusic relies heavily on JavaScript. Please enable JavaScript in your browser to use the site fully. Blues Classical Country. Electronic Folk International. Jazz Latin New Age. Aggressive Bittersweet Druggy. Energetic Happy Hypnotic. Album) Sad Sentimental. Sexy Trippy All Moods. Drinking Hanging Out In Love. Introspection Late Night Partying.

Rainy Day Relaxation Road Trip. Romantic Evening Sex All Themes. Features Interviews Lists. Streams Videos The 3rd Plateau - Ibrahim Alfa - Trace Elements (Vinyl Posts.

Recording Date January, - March, Hanging Out Playful Day Driving. Track Listing. Shocking You. Robbie Van Leeuwen. Shocking Blue. Velvet Heaven. Love Sweet Love. I Saw Your Face. Simon Lee and the Gang. Don't You See. The Bird of Paradise. Moonlight Night. Sleepless at Midnight. I'll Follow the Sun. Never Married a Railroad Man. Roll Engine Roll. Blossom Loretta - Will Smith - Lost And Found. Is This a Dream?

Poor Boy. Shocking You Robbie Van Leeuwen. Velvet Heaven Robbie Van Leeuwen. Serenade Robbie Van Leeuwen. Moonlight Night Robbie Van Leeuwen.

Sleepless at Midnight Robbie Van Leeuwen. Waterloo Robbie Van Leeuwen. Blossom Lady Robbie Van Leeuwen. Poor Boy Robbie Van Leeuwen.


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Non Dimenticar - Anna - Mr. Acker Bilk* With The Leon Young String Chorale - Grandes Temas de Pelí


1970
Label: Ariola Eurodisc S.A. - 82208H • Format: Vinyl LP, Album • Country: Spain • Genre: Jazz, Stage & Screen • Style: Soundtrack, Score, Easy Listening
Download Non Dimenticar - Anna - Mr. Acker Bilk* With The Leon Young String Chorale - Grandes Temas de Pelí

One more depending on a prayer And we all look away People pretending everywhere It's just another day. There's bullets flying through the air And they still carry on We watch it happen over there And then just turn it off. Hey, yeah, yeah, yeah, yeah We must stand together Hey, yeah, yeah, yeah, yeah There's no giving in Hey, yeah, yeah, yeah, yeah Hand in hand forever Hey, yeah, yeah, Non Dimenticar - Anna - Mr.

Acker Bilk* With The Leon Young String Chorale - Grandes Temas de Pelí, yeah That's when we all win Hey, yeah, yeah, yeah, yeah That's, that's, that's when we all win That's, that's, that's when we all win.

They tell us everything's alright And we just go along How can we fall asleep at night? When something's clearly wrong. When we could feed a starving world With what we throw away But all They Call Me Muddy Waters - Muddy Waters - Mannish Boy serve are empty words That always taste the same. We must stand together Hey, yeah, yeah, yeah, yeah There's no giving in Hey, yeah, yeah, yeah, yeah Hand in hand forever Hey, yeah, yeah, yeah, yeah That's when we all win Hey, yeah, yeah, yeah, yeah That's, that's, that's when we all win That's, that's, that's when we all win.

The right thing to guide us Is right here, inside us No one can divide us When the light is leading on But just like a heartbeat The drumbeat carries on. Agradecemos a do all the right reasons por haber sudido la letra de When we stand together. When we stand together Letra Nickelback. Letras de Canciones. Novedades Musicales.


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