In popular musica break is an instrumental or percussion section during a song derived from or related to stop-time — being a "break" from the main parts of the song or piece. A break is usually interpolated between sections of a song, to provide a sense of anticipation, signal the start of a new section, or create variety in the arrangement. A solo break in jazz occurs when the rhythm section piano, bass, drums stops playing behind a soloist for a brief period, usually two or four bars leading into the soloist's first improvised Well - Captain Beefheart & His Magic Band* - Trout Mask Replica chorus at which point the rhythm section resumes playing.
A notable recorded example is sax player Charlie Parker 's solo break at the beginning of his solo on " A Night in Tunisia ". While the solo break is a break for the rhythm section, for the soloist, it is a solo cadenzawhere they are expected to improvise an interesting and engaging melodic line.
In DJ parlance, in discohip hop and electronic dance musica break is where all the elements of a song e. This is distinguished from a breakdowna section where the composition is deliberately deconstructed Bronxfield Beats - The Mad Drummer - Drumdrops Vol 3 (The New Style Break Beats) minimal elements usually the percussion or rhythm section with the vocal re-introduced over the minimal backingall other parts having been gradually or suddenly cut out. Old-school hip-hop DJs have described the relationship Quand Tu Reviendras - Adamo - Adamo breaks, early hip-hop music, and disco.
According to Afrika Bambaataa : . Now he took the music of like Mandrill, like "Fencewalk", certain disco records that had funky percussion breaks like The Incredible Bongo Band when they came out with "Apache" and he just kept that beat going. It might be that certain part of the record that everybody waits for—they just let their inner self go and get wild. The next thing you know the singer comes back in and you'd be mad. Break-beat music and hip-hop culture were happening at the same time as the emergence of disco in known as party music.
Disco was also created by DJs in its initial phase, though these tended to be club jocks rather than mobile party jocks - records by Barry White, Eddie Kendricks and others became dancefloor hits in New York clubs like Tamberlane and Sanctuary and were crossed over onto radio by Frankie Crocker at station WBLS.
There were many parallels in the techniques Bronxfield Beats - The Mad Drummer - Drumdrops Vol 3 (The New Style Break Beats) by Kool DJ Herc and a pioneering disco DJ like Francis Grasso, who worked at Sanctuary, as they used similar mixtures and superimpositions of drumbeats, rock music, funk and African records For less creative disco DJs, however, the ideal was to slip-cute smoothly from the end of one record into the beginning of the next.
They also created a context for breaks rather than foregrounding them, and the disco records which emerged out of the influence of this type of mixing tended to feature long introductions, anthemic choruses and extended vamp sections, all creating a tension which was released by the break. Break-beat music simply ate the cherry off the top of the cake and threw the rest away.
In the words of DJ Grandmaster Flash, "Disco was brand new then and there were a few jocks that had monstrous sound systems but they wouldn't dare play this kind of music. They would never play a record where only two minutes of Forget The Past - Various - Sadoin Sähkökitaroin Extra Osa 1 song was all it was worth.
They wouldn't buy those types of records. The type of mixing that was out then was blending from one record to the next or waiting for the record to go off and wait for the jock to put the needle back on.
A break may be described as when the song takes a "breather, drops down to some exciting percussion, and then comes storming back again"  and compared to a false ending. Breaks usually occur two-thirds to three-quarters of the way through a song. In this case it would be a "break" from the vocal part. In bluegrass and other old-time musica break is "when an instrument plays the melody to a song idiomaticallyi.
According to David Toop "the word break or breaking is a music and dance term, as well as a proverb, that goes back a long way. Some tunes, like 'Buck Dancer's Lament' from early in the nineteenth century, featured a two-bar silence in every eight bars for the break—a quick showcase of improvised dance steps. Others used the same device for a solo instrumental break; a well-known example being the four-bar break taken by Charlie Parker in Dizzy Gillespie 's tune ' Night in Tunisia '.
However, in hip hop today, the term break refers to any segment of music usually four measures or less that could be sampled and repeated. A break is any expanse of music that is thought of as a break by a producer.
In the words of DJ Jazzy Jay : "Maybe those records [whose breaks are sampled] were ahead of their time. Maybe they were made specifically for the rap era; these Bronxfield Beats - The Mad Drummer - Drumdrops Vol 3 (The New Style Break Beats) didn't know what they were making at that time. They thought, 'Oh, we want to make a jazz record'". A break beat is the sampling of breaks as drum loop beats, originally found in soul or funk tracks and their subsequent use as the rhythmic basis for hip hop and rap.
It was invented by DJ Kool Herca Jamaican to New York immigrant, usually credited with being the first to buy two copies of one record so as to be able to mix between the same break [ citation needed ] or, as Bronx DJ Afrika Bambaataa describes, "that certain part of the record that everybody waits for--they just let their inner self go and get wild," extending its length through repetition.
More recently, electronic artists have created "break beats" from other electronic music, resulting in a broad style classification itself called breakbeat. From Wikipedia, the free encyclopedia. For other uses, see Break disambiguation. For the automobile brake, see drum brake.
New York: Grove Bobby - Robin Ward - Wonderful Summer. New York: Serpent's Tail.
Quoting Afrika Bambaataa. Quoting DJ Grandmaster Flash Oxford: Clarendon Press. Back-Up Banjo. Mel Bay Publications. Middletown, Connecticut: Wesleyan University Press. Citing Leland and Steinp. Indiana University Press. Retrieved August 4, New York: Hudson Music. Drum beats and strokes. Musical form and development. Parts of a song. Break Breakdown Drop. Hidden categories: All articles with unsourced statements Articles with unsourced statements from February Namespaces Article Talk.
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